Modern and Contemporary Art

IL PONTE BUCKS THE TREND BETWEEN REDISCOVERY
AND QUALITY

Through careful and rigorous selection, the Modern and Contemporary Art auction confirms the auction house's leadership with results that reward quality and informed choices

 

At a time marked by delicate balances and highly selective markets, Il Ponte Casa d’Aste reaffirms its authority within the international collecting scene. With € 6 million in sales, 92% sell-through rate, and a 150% increase on starting prices, the Modern and Contemporary Art auction held on 27, 28 and 29 May 2025 offered a clear and compelling response to those who, even in a more sluggish economic climate, view art as a safe haven—combining cultural significance with solid asset value.
 
Thanks to a rigorous curatorial vision and a selection based on prestigious provenances and high-profile exhibition histories, the auction once again proved to be a strategic observatory, capable of guiding the choices of a global, discerning, and cautious clientele, far removed from speculative manoeuvres.
 
At the top of the sales results was Giorgio de Chirico with “Piazza d’Italia” (1953), an oil on canvas of intense metaphysical lyricism, sold for € 448,000, followed by Lucio Fontana’s “Crocifisso” (1952), a glazed ceramic of extraordinary expressive and spiritual power (€ 384,000).
 
Among the sculptures, Arnaldo Pomodoro remains a collector favourite with “Rotante” (2002), a bronze work of strong formal dynamism (€ 217,600), while Carla Accardi’s analytical and chromatic painting was notably recognised with “Azzurroverde” from 1987 (€ 204,800). The international market rewarded Roberto Matta’s visionary work “The Re-evolvers” (1951) (€ 179,200), and Igor Mitoraj’s bronze “Stella” (1985) (€ 153,600), confirming the solidity of historically established artists who remain central to contemporary demand.
 
Italian Informal Art stood out with Emilio Vedova’s “Presenza” (1958), a work of explosive gestural force (€ 140,800), while German artist Anselm Kiefer entered the top ten with “Die Erdzeitalter (20 Jahre Einsamkeit)” (2009) (€ 128,000).
In the realm of conceptual experimentation, interest in Irma Blank was reaffirmed, represented in the auction by the diptych “Schriftzug = Atemzug” (1988) (€ 96,000), alongside Conrad Marca-Relli, master of American abstraction, whose “X-L-1.80” reached €83,200.
 
Closing the selection of top lots was the cultured and cinematic irony of Francesco Vezzoli with “The Face of Mae West as a Surrealist Apartment with Anita Ekberg and the Eyes of Cate Blanchett” (2007) (€ 70,400).
The session on 29 May dedicated to Prints and Multiples also saw excellent results, confirming the growing interest in this segment, increasingly followed by the new generation of collectors.
 
The overall outcome not only confirms the strength of the sector but also the department’s ability to act as a compass for today’s market, offering collectors and investors intelligent, reliable, and resilient benchmarks—even during periods of broader caution. A result that rewards a conscious approach, capable of interpreting market transformations without ever compromising on quality or the visionary potential inherent in every collection.


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